Tag Archives: Julie Barclay

The Undead Poets’ Society by John Hussey


Michael Kelligan is now in the eleventh year of his On The Edge project, presenting script-held performances of new plays by Welsh and Wales based writers.

Next time On The Edge

The Undead Poets Society by John Hussey- Poets on a murder hunt!

Dylan Thomas takes time off from his 100 years birthday celebration and joins John Betjeman, Philip Larkin,Ted Hughes, and Sylvia Plath on a murder hunt! They will be joined by Nick McGaughey, Richard Mark Milne, Dafydd Wyn Roberts, Natalie Paisley, Peter Knight, Polly Kilpatrick and Michael Kelligan who will assist them with their investigations and become members of THE UNDEAD POETS SOCIETY.


Chapter, Cardiff Tues Dec 9 8pm

Dylan Thomas Centre Wed Dec 10 7.30pm



Nick Mcgaughey

Richard Mark Milne

Dafydd Wyn Roberts

Peter Knight

Natalie Paisey

Polly Kilpatrick

Michael Kelligan


John Hussey


Julie Barclay

The Road To Port of Barry by Robert Gould and Christopher J Orton


Chapter, Cardiff, Tues 11 Sept 2012, 8pm, £4 on the door

The Dylan Thomas Centre, Swansea, Wed 12 Sept  2012, 7.30pm, £4

The Riverfront, Newport, Thurs 13 Sept 2012, 7.45pm, £4


After wowing audiences in Spamalot, actor Christopher Orton is now preparing for a very different role – that as a writer. As he prepares for his new drama to be launched, he tells Emily Lambert about the collaboration

Robert Gould and Christopher Orton
Robert Gould and Christopher Orton

THE immortal John Cleese line – “And now for something completely different” – will certainly ring true for actor and writer Christopher Orton this month. For he will swap performing in Monty Python’s Spamalot to watching his own play being staged. The Road To Port Of Barry was co-written by Orton and Robert Gould and is the opening work in the eighth year of director Michael Kelligan’s widely acclaimed On The Edge project of script-held performances of plays by mainly Welsh and Wales based authors. It is the latest collaboration between the two men who have penned a number of plays in the past.

Under his stage name of Kit Orton, Chepstow-born Orton made his West End debut in July in the role of Lancelot in Spamalot but he has been touring with the production for two years. For the successful spin-off from the movie Monty Python And The Holy Grail has toured extensively. Orton returns to his native Wales to watch the performances of his latest play straight after the end of the latest West End run. “I have been performing in Spamalot for the last two years and I didn’t think it was possible to top the buzz of going out and performing comedy to different audiences every night and soaking in the laughs and the enjoyment of the crowd,” he says. “That was until I heard something I had written being performed by someone else. There is nothing more flattering than somebody picking up your work and putting their own interpretation on it or getting excited by the content and trying things out with it – and then hearing the audience reaction becomes something else entirely because you helped create that mood in them.”

Together Orton and Gould have written a number of musicals, including Elephant Juice, Grace Notes, Based On A True Story and My Land’s Shore. In addition to The Road to the Port Of Barry, Gould and Orton have also collaborated on the plays Independence Dai and The Shed. Orton believes they complement each other with their working methods. “I am first and foremost a musician so writing music comes very naturally to me, not so much with script,” he says. “So when I’m writing musicals with Bob he will write the script and lyrics and I will write the music. “Writing plays together is a different pot of coffee… I’m more of an ideas man so I will ring Bob with a story suggestion or setting or tiny idea and then by the next day Bob will have written an outline and then we will send emails back and forth until we get it how we want it. “Being an actor it is sometimes difficult for me to take a backseat. I want to be up there doing it! So watching The Road To Port Of Barry will be a mixed bag of emotions. “It’s a real labour of love for the both of us. We have wanted to see this piece on the stage for a long time. I always thought I would have to be in it for that to happen but I am happy to be in the audience this time. Watching these extremely talented guys taking on the material.”

Since training at the Royal Northern College of Music and the Royal Academy of Music, Orton has built up a long list of theatre credits and has appeared at various concert and cabaret venues in London, performing his own songs and other pieces of new musical theatre writing. Winner of the Welsh Musical Theatre Younger Singer of the World 2008, he has recorded vocals on three musical cast albums – Dracula, Spamalot and My Land’s Shore. Swansea University graduate Gould – a former teacher and author of school history books – wrote the book and lyrics for three musicals with composer Ty Kroll – Lovers, Alone And Vocalize! He also worked on The Dying Game, a musical which speaks for the victims of HIV/AIDS in Africa, and he wrote lyrics for the acclaimed Tim Prottey-Jones albums More With Every Line and Surrounded By The Sounds and is in the process of writing and developing the musical Roundabout with songwriter Joe Sterling. Gould says: “Chris and I were introduced in January 2006 by a mutual friend when I was looking at the time for a composer to collaborate on a show I had an idea for. “As it happens we’ve still not gotten around to writing that show together. In February 2006 Chris asked me to write some scenes around some songs he had written for a musical called Elephant Juice which we then work shopped at the Royal Academy. “Soon after that he asked me if I’d like to work with him on My Land’s Shore, a musical he had already been working on for around four years. Since then we’ve continued to develop My Land’s Shore together as well as writing Based On A True Story, a few other musicals and three short plays.”

The Road To Barry Of Port will be staged at Chapter Arts Centre in Cardiff, Dylan Thomas Centre in Swansea and The Riverfront in Newport as the On The Edge season opener. A black comedy, it’s set in South Wales with a cast of characters who are intrinsically Welsh but the themes and humour are universal.

Western Mail


Brendan Charleston 

Scott Barker

Sam Harding 


Julie Barclay


Love In Plastic by Ian Rowlands


Chapter, Cardiff, Tues 1o Apr 2012, 8pm, £4 on the door

The Dylan Thomas Centre, Swansea, Wed 11 Apr 2012, 7.30pm, £4

The Riverfront, Newport, Thurs 12 Apr 2012, 7.45pm, £4

IF the amount of laughter during rehearsals is anything to go by, audiences watching Ian Rowlands’ Love In Plastic are in for a side-splitting time. The play, featuring Boyd Clack, is being performed as part of artistic director Michael Kelligan’s On the Edge season of script-held plays with venues including Cardiff, Newport and Swansea. The On the Edge seasons are presented by Kelligan’s Cardiff-based Welsh Fargo Theatre Company.

Actor and director Kelligan said: “Love in Plastic is a very funny play telling us the story of Harold seeking out his new love, wearing a space suit, in a low-life Cardiff cafe. “The dive is run by the hilarious television comedy performer Boyd Clack who has, along with the other members of the cast, been in fits of laughter throughout the rehearsals.”

The other cast members are Philip Michell, Kathryn Dimery, who has recently completed a national tour of Cranford, and Dafydd Wyn Roberts.

Both Kelligan’s On the Edge project and Rowlands’ theatre company, Theatr Y Byd, cut their teeth in a pub in the Welsh capital, opposite Cardiff Castle. Both have gone on to produce works that now play a very important part in the Arts scene in Wales. Kelligan said the play makes some interesting observations on the nature of love, life and laughter. “Author Ian Rowlands writes metaphors to die for and displays an intriguing line in plot development and his roots are set deep in Welsh soil,” he said.

Kelligan’s artistic association with Rowlands began more than 30 years ago. They met as actors in a production of Rosencrantz and Guildenstern Are Dead, which was the first On the Edge production this year, with The Wales Actors’ Company at the then Sherman Theatre. Kelligan added, “Ian’s work has been described as having a depth and originality from a playwright whose writing and ideas are forcing Welsh Theatre on to an international stage – an aim shared by my own Welsh Fargo Stage Company.”



Man – Philip Michell

Waiter – Boyd Clack

Woman – Kathryn Dimery

Agent – Dafydd Wyn Roberts



Julie Barclay