Tag Archives: Sarah Argent

The Dumb Waiter by Harold Pinter


Chapter, Cardiff, Tues 16-Sat 20 Dec 2008


Gus – Alex Harries

Ben – Dean Rehman


Sarah Argent

Lighting Design and Staging

Lee Grey

Sound Design and Staging

Anna Eveleigh


Steve Denton

Scenic Artist

James Gardiner

Dumb Waiter built by Martin Harris


Deftly twisting Chapter’s ongoing redevelopment work for its own gain, the Welsh Fargo Stage Company’s take on Harold Pinter’s edgy one-act rarity transports you right inside its drafty bedsit basement seeing in the temporary Yr Llofft space. Visually, Dean Rehman (Ben) and Alex Harries (Gus) are expertly cast as at-odds hit men awaiting their next job, the former, a steely-eyed senior killer-for-hire, driven to distraction by his younger partner’s constant questioning.

The actors are already sitting in character as the audience files across the makeshift stage, a move that immediately invokes gritty realism, before the pair start to devour the often sparse script and somewhat farcical central scenes involving the titular dumb waiter. Harries’ slightly exaggerated Welsh lilt lends a genuine gormless air to Gus, upping the suspense as his partner’s patience wears even thinner. Rehman is also convincing, brooding and troubled by the drama that lies ahead. When the fleeting moments of near-violence do break out, the audience members find themselves jarred against the back of their seats, and the concluding twist is well-weighted.

Directed by Sarah Argent. Lighting design and Staging by Lee Grey. Sound design and staging by Anna Eveleigh. Scenic Artist – James Gardiner. Props by Steve Denton. Dumb Waiter built by Martin Harris.


Shimmer by Linda Mclean


Chapter, Cardiff, Wed 12 Dec 2007, 8pm, £3 on the door

Dylan Thomas Centre, Swansea, Thurs 13 Dec 2007, 7.30pm, £3


Hen- Lynn Hunter

Missy – Hannah McPake

Petal – Mairi Phillips

Sonny – John Cording

Jim – Alex Parry

Guy – Daniel Curties


Sarah Argent


Change by J O Francis


Chapter, Cardiff Wed 18 Oct 2006, 8pm. £3 on the door


John Pricce (an old collier) – Gwyn Vaughan Jones

Gwen (his wife) – Anwen Williams

John Henry }                                                  – Richard Shackley

Lewis               }  (their 3 sons)                – Gareth John Bale

Gwilym          }                                                  – Leon Davies

Isaac Pugh – John Cording

Lizzie Ann ( a poor relation) – Ffion Williams

Sam Thatcher (their lodger) – Lee Mengo

Twm Powell –Rhys Parry Jones

Dai Matthews – Huw Davies

Jinnie pugh – Sara Lloyd


Sarah Argent


Almost a century has passed since J O Francis’ intense domestic drama was first seen yet its central theme of a family ripped apart by social, political, cultural and economic change rings true to us down the generations.

Add to this acting of quite remarkable passion and utter conviction in this rehearsed reading and this offering from the On the Edge, State of the Nation season, had the audience literally on the edge of their seats.

The story is of a mining family in the Rhondda just before the First World War, when coal was king but the mining communities were its serfs. But change is in the air with the rash of strikes, the burgeoning Labour movement, and political rather than pulpit oration offering salvation.

On the family scene we have a hard working God fearing father John Price, played by Gwyn Vaughan-Jones with a wonderful combination of strength and vulnerability. He has made sacrifices throughout his life so his sons can have the education and chances he never had. His sole ambition is to have one of his sons become the minister – the accolade of success. His wife is played by Anwen Williams and a more moving and exhausting performance I have rarely seen. She has a simpler ambition, to have her family around her.

But these are changing times. One son Gwilym played as a gentle yet deeply observant child by Leon Davies has consumption and is to live with a relation in Australia. Another son John Henry, sympathetically played by a Richard Shackley, turns his back on the ministry and chooses, shame of it, the stage. The third son Lewis, played with fire in soul by Gareth John Bale, chooses firebrand politics as his religion. John Price has the preacher son he always wanted but with socialism rather than Christianity his message.

The lodger Sam Thatcher (ironically appropriate surname for a play about struggling mining communities) is played by Lee Mengo as the outsider, a disabled rover from Canning Town whose mantra is to go with the flow.

Set against a montage of actual industrial disputes including confrontations with strike-breaking soldiers, the plot follows the break up of the family as the father cannot understand his children’s values in the changing society. One by one they depart leaving their mother a broken woman.

Yes, the symbolism of the characters seems a little heavy handed and obvious to us today but remember there are still plays and musicals even still being written that follow what over the following century has become a hackneyed and clichéd dramatic convention in Welsh drama.

Mike Smith (Western Mail)